The Greatest Obstacle To Pleasure

But I Never Listen To Music While I'm Writing.

I Believe That It Is A Whole Lifetime Of Work On Shakespeare's Part That Enabled Him To Do What He Did. But The Question Is How You Can Explain This Whole Lifetime In Such A Way To Make It Accessible And Available To Us, To Me.

I Believe That Nothing Comes Of Nothing, Even In Shakespeare. I Wanted To Know Where He Got The Matter He Was Working With And What He Did With That Matter.

A Comparably Capacious Embrace Of Beauty And Pleasure - An Embrace That Somehow Extends To Death As Well As Life, To Dissolution As Well As Creation - Characterizes Montaigne's Restless Reflections On Matter In Motion, Cervantes's Chronicle Of His Mad Knight, Michelangelo's Depiction Of Flayed Skin, Leonardo's Sketches Of Whirlpools, Caravaggio's Loving Attention To The Dirty Soles Of Christ's Feet.

First Of All, There Was A Volcano Of Words, An Eruption Of Words That Shakespeare Had Never Used Before That Had Never Been Used In The English Language Before. It's Astonishing. It Pours Out Of Him.