The Greatest Danger For Those

A Particular Type Of Film Emerged From World War Two, With The Italian Neorealist School. It Was Perfectly Right For Its Time, Which Was As Exceptional As The Reality Around Us. Our Major Interest Focused On That And On How We Could Relate To It. Later, When The Situation Normalized And Post-war Life Returned To What It Had Been In Peacetime, It Became Important To See The Intimate, Interior Consequences Of All That Had Happened.

I Want My Characters To Suggest The Background In Themselves, Even When It Is Not Visible. I Want Them To Be So Powerfully Realized That We Cannot Imagine Them Apart From Their Physical And Social Context Even When We See Them In Empty Space.

Fitzgerald Said A Very Interesting Thing In His Diary; That Human Life Proceeds From The Good To The Less Good - That Is, It's Always Worse As You Go On. That's True.

I Dislike Judging Myself, But I Will Say I Would Be Wealthy Today If I Had Accepted All The Films That Have Been Offered To Me With Large Sums Of Money. But I've Always Refused, In Order To Do What I Felt Like Doing.

I'm Not Rich And Maybe I'll Never Be Rich. Money Is Useful - Yes - But I Don't Worship It.