The Days Of Our Lives

The Place Didn't Look The Same But It Felt The Same; Sensations Clutched And Transformed Me. I Stood Outside Some Concrete And Plate-glass Tower-block, Picked A Handful Of Eucalyptus Leaves From A Branch, Crushed Them In My Hand, Smelt, And Tears Came To My Eyes. Sixty-seven-year-old Claudia, On A Pavement Awash With Packaged American Matrons, Crying Not In Grief But In Wonder That Nothing Is Ever Lost, That Everything Can Be Retrieved, That A Lifetime Is Not Linear But Instant. That, Inside The Head, Everything Happens At Once.

Perhaps I Shall Not Write My Account Of The Paleolithic At All, But Make A Film Of It. A Silent Film At That, In Which I Shall Show You First The Great Slumbering Rocks Of The Cambrian Period, And Move From Those To The Mountains Of Wales...from Ordovician To Devonian, On The Lush Glowing Cotswolds, On To The White Cliffs Of Dover... An Impressionistic, Dreaming Film, In Which The Folded Rocks Arise And Flower And Grow And Become Salisbury Cathedral And York Minster.

But Who Knows Their Own Child? You Know Bits - Certain Predictable Reactions, A Handful Of Familiar Qualities. The Rest Is Impenetrable. And Quite Right Too. You Give Birth To Them. You Do Not Design Them.

If We Had Not Met, That Day, I Think I Would Have Imagined You Somehow.

I Am Addicted To Arrivals, To Those Innocent Dawn Moments From Which History Accelerates.