The Best Education In Film

Anyone Who Has Ever Been Privileged To Direct A Film Also Knows That, Although It Can Be Like Trying To Write 'war And Peace' In A Bumper Car In An Amusement Park, When You Finally Get It Right, There Are Not Many Joys In Life That Can Equal The Feeling.

Regret Isn't Going To Get Me Anywhere. It's Like Being Obsessed With Something. It Doesn't Bring You Anywhere.

A Filmmaker Has Almost The Same Freedom As A Novelist Has When He Buys Himself Some Paper.

From The Very Beginning, All Of My Films Have Divided The Critics. Some Have Thought Them Wonderful, And Others Have Found Very Little Good To Say. But Subsequent Critical Opinion Has Always Resulted In A Very Remarkable Shift To The Favorable. In One Instance, The Same Critic Who Originally Rapped The Film Has Several Years Later Put It On An All-time Best List. But Of Course, The Lasting And Ultimately Most Important Reputation Of A Film Is Not Based On Reviews, But On What, If Anything, People Say About It Over The Years, And On How Much Affection For It They Have.

Man Isn't A Noble Savage, He's An Ignoble Savage. He Is Irrational, Brutal, Weak, Silly, Unable To Be Objective About Anything Where His Own Interests Are Involved-that About Sums It Up. I'm Interested In The Brutal And Violent Nature Of Man Because It's A True Picture Of Him. And Any Attempt To Create Social Institutions On A False View Of The Nature Of Man Is Probably Doomed To Failure.