Sucks To Be Left Out

When I Was Working On 'drown' - This Was Way Back In The Mid-'90s - I Had This Idea That I Wanted To Do Another Collected Stories. I Wanted To Do Another Book Like 'drown' That Focused Specifically On Infidelity.

We're On Speaking Terms Today. I Say, Maybe We Should Hang Out With The Boys, And You Shake Your Head. I Want To Spend Time With You, You Say. If We're Still Good, Next Week Maybe. That's The Most We Can Hope For. Nothing Thrown, Nothing Said That We Might Remember For Years. You Watch Me While You Put A Brush Through Your Hair. Each Strand That Breaks Is As Long As My Arm. You Don't Want To Let Go, But Don't Want To Be Hurt, Either. It's Not A Great Place To Be But What Can I Tell You?

Stereotypes, They're Sensual, Cultural Weapons. That's The Way That We Attack People. At An Artistic Level, Stereotypes Are Terrible Writing.

'drown' Was Always A Hybrid Book. It's Connected Stories - Partially A Story Collection But Partially A Novel. I Always Wanted The Reader To Decide Which Genre They Thought The Book Belonged To More - Story, Novel, Neither, Both.

For Kind Of Sophisticated Art I'm Interested In, The Larger Structural Rebuke Has To Be So Subtle That It Has To Be Distributed At An Almost Sub-atomic Level. Otherwise, You Fall Into The Kind Of Preachy, Moralistic Fable That I Don't Think Makes For Good Literature.