Someone Soon To Start On

When I Read A Story, I Relive The Moment From Which It Sprang. A Scene Burned Itself Into Me, A Building Magnetized Me, A Mood Orseason Of Nature's Penetrated Me, History Suddenly Appeared To Me In Some Tiny Act, Or A Face Had Begun To Haunt Me Before I Glanced At It.

I Know That I Have In My Make-up Layers Of Synthetic Experiences, And That The Most Powerful Of My Memories Are Only Half True.

The Innocent Are So Few That Two Of Them Seldom Meet - When They Do Meet, Their Victims Lie Strewn All Round.

All Good Dialogue Perhaps Deals With Something Unprecedented.

I Am Dead Against Art's Being Self-expression. I See An Inherent Failure In Any Story Which Fails To Detach Itself From The Author-detach Itself In The Sense That A Well-blown Soap-bubble Detaches Itself From The Bowl Of The Blower's Pipe And Spherically Takes Off Into The Air As A New, Whole, Pure, Iridescent World. Whereas The Ill-blown Bubble, As Children Know, Timidly Adheres To The Bowl's Lip, Then Either Bursts Or Sinks Flatly Back Again.