So: We're All Tired. Now

The Western Musical Canon Came About Not Merely By Accumulation, But By Opposition And Subversion, Both To The Ruling Powers On Whom Composers Depended For Their Livelihoods And To Other Musics.

In My Model, Important Interference Phenomena Arise When Individual Strata Come Into Contact. These Chaotic Fluctuations Are, I Suppose, What My Music Is Really About.

It Is Still True That It Is Easier To Compose A Poem In The Form Of A Manual For Adjusting A Vcr Than It Is To Write A Piece Using Just Tuning As A Symphony.

When I Speak Of "cycles," I Am Referring To Lengthy Intervals Of Relative Homogeneity, If Not In The Resolving Of Problems, Than At Least With Respect To The Consistency Of Their Capacity To Productively Irritate.

If Nothing Is At Risk, Nothing Is Established.