Perhaps I Write For No

Karen Wasn't Hard, She Was Soft, Too Soft. A Soft Touch. Her Hair Was Soft, Her Smile Was Soft, Her Voice Was Soft. She Was So Soft There Was No Resistance. Hard Things Sank Into Her, They Went Right Through Her, And If She Made A Real Effort, Out The Other Side. Then She Didn't Have To See Them Or Hear Them, Or Even Touch Them.

The Goals Of The Feminist Movement Have Not Been Achieved, And Those Who Claim We're Living In A Post-feminist Era Are Either Sadly Mistaken Or Tired Of Thinking About The Whole Subject.

It Was Exciting To Work With Director Jennifer Baichwal, Who Made Manufactured Landscapes And Others, On The Film Of Payback: Debt And The Shadow Side Of Wealth. It's Called, Simply, Payback. Jennifer Didn't Want To Do A Transliteration Of The Book, A Kind Of Illustrated Version, But To Go Into The Core Of The Book: Owing And Being Owed, Paying And Paying Back, On All Sorts Of Levels. So She Found Real-life, Visceral Stories That Embodied The Themes Of The Book.

Hatred Would Have Been Easier. With Hatred, I Would Have Known What To Do. Hatred Is Clear, Metallic, One-handed, Unwavering; Unlike Love.

We All Know That A Book Is Not Really A Person. It Isn’t A Human Being. But If You Are A Lover Of Books As Books – As Objects, That Is – And Ignore The Human Element In Them – That Is, Their Voices – You Will Be Committing An Error Of The Soul, Because You Will Be An Idolator, Or Else A Fetishist.