People Rewrite The Play So

Sometimes You Have To Protect The Life Of The Play. It Seems Like Spelling Out Mysterious, Musical Details Can Destroy A Play By Making The Motivations Too Clear, Too Simplex.

I Think Of The New York City Ballet As The Yankees Without George Steinbrenner.

I Think A Playwright Must Be His Own Dramaturg. I Believe In A Theater Where The Director And The Playwright Work Together To Create What They Need.

Feydeau's One Rule Of Playwriting: Character A: My Life Is Perfect As Long As I Don't See Character B. Knock Knock. Enter Character B.

How Much Of Your Life Can You Account For? My Life Is A Collage Of Unaccounted For Brush Strokes; I Am All Random”.