Painting Is Self-discovery. Every Good

When I Am In A Painting, I'm Not Aware Of What I'm Doing. It Is Only After A Sort Of 'get Acquainted' Period That I See What I Have Been About. I Have No Fears About Making Changes, Destroying The Image, Etc, Because The Painting Has A Life Of Its Own. I Try To Let It Come Through. It Is Only When I Lose Contact With The Painting That The Result Is A Mess. Otherwise There Is Pure Harmony, An Easy Give And Take, And The Painting Comes Out Well.

I Want To Express My Feelings Rather Than Illustrate Them.

When I'm Painting, I'm Not Aware Of What I'm Doing. It's Only After A Get Acquainted Period That I See What I've Been About. I've No Fears About Making Changes For The Painting Has A Life Of Its Own.

With Experience It Seems To Be Possible To Control The Flow Of Paint, To A Great Extent, And I Don't Use - I Don't Use The Accident - 'cause I Deny The Accident... It's Quite Different From Working, Say, From A Still Life Where You Set Up Objects And Work Directly From Them. I Do Have A General Notion Of What I'm About And What The Results Will Be. I Approach Painting In The Same Sense As One Approaches Drawing, That Is, It's Direct.

Energy And Motion Made Visible – Memories Arrested In Spacetechnic Is The Result Of A Need New Needs Demand New Technics Total Control Denial Of The Accident States Of Order Organic Intensity Energy And Motion Made Visible Memories Arrested In Space, Human Needs And Motives Acceptance.