Pain Comes From The Darkness.

Most Poets, Most Good Poets Even, No Longer Have The Heart To Write About What Is Most Terrible In The World Of The Present: The Bombs Waiting Beside The Rockets, The Hundreds Of Millions Staring Into The Temporary Shelter Of Their Television Sets, The Decline Of The West That Seems Less A Decline Than The Fall Preceding An Explosion.

We Can't Tell Our Life From Our Wish

One Whitman Is Miracle Enough, And When He Comes Again It Will Be The End Of The World.

Is An Institution Always A Man's Shadow Shortened In The Sun, The Lowest Common Denominator Of Everybody In It?

There Are Some Good Things And Some Fantastic Ones In Auden's Early Attitude; If The Reader Calls It A Muddle I Shall Acquiesce, With The Remark That The Later Position Might Be Considered A More Rarefied Muddle. But Poets Rather Specialize In Muddles And I Have No Doubt Which Of The Muddles Was Better For Auden's Poetry: One Was Fertile And Usable, The Other Decidedly Is Not. Auden Sometimes Seems To Be Saying With Henry Clay, "i Had Rather Be Right Than Poetry"; But I Am Not Sure, Then, That He Is Either.