One Works Without Thinking How

Intention Involves Such A Small Fragment Of Our Consciousness And Of Our Mind And Of Our Life.

I Decided That If My Work Contained What I Could Identify As A Likeness To Other Work, I Would Remove It.

Early On I Was Very Involved With The Notion Of The Painting As An Object And Tended To Attack That Idea From Different Directions.

Most Of The Power Of Painting Comes Through The Manipulation Of Space... But I Don't Understand That.

I Think That One Wants From A Painting A Sense Of Life. The Final Suggestion, The Final Statement, Has To Be Not A Deliberate Statement But A Helpless Statement. It Has To Be What You Can't Avoid Saying.