One Of The Things That

The Animated Books Pay The Lowest Rates At The Big Two And You Can Forget About Royalties.

I Spent As Much Time Writing Proposals In '98 And '99 As I Did Writing Scripts.

I Think American Audiences Are Quite Interesting In That They Can Handle Almost Any Amount Of Violence, But The Moment The Violence Becomes Sexual Violence It Immediately Becomes An Issue.

Their Argument, And I Think It's A Correct One, Is That They'll Make More Money From The Trades And The Hardcovers If Nobody Messes With The Creative Team.

Marvel Books Also Feed Into The Smaller Publishers And The Fact That This Is Happening In The Same Month We're Launching Ultimate Fantastic Four Is No Coincidence.