Once An Object Has Been

What Greatly Attracted Me - And It Was The Main Line Of Advance Of Cubism - Was How To Give Material Expression To This New Space Of Which I Had An Inkling. So I Began To Paint Chiefly Still Lifes, Because In Nature There Is A Tactile, I Would Almost Say A Manual Space... That Was The Earliest Cubist Painting - The Quest For Space.

I Couldn't Portray A Women In All Her Natural Loveliness.. I Haven't The Skill. No One Has. I Must, Therefore, Create A New Sort Of Beauty, The Beauty That Appears To Me In Terms Of Volume Of Line, Of Mass, Of Weight, And Through That Beauty Interpret My Subjective Impression. Nature Is Mere A Pretext For Decorative Composition, Plus Sentiment. It Suggests Emotion, And I Translate That Emotion Into Art. I Want To Express The Absolute, Not Merely The Factitious Woman.

I Am Interposing Overlaid Planes A Short Way Off... To Make It Understood That Things Are In Front Of Each Other Instead Of Being Scattered In Space.

Art Is A Wound Turned Into Light.

Work To Perfect The Mind. There Is No Certitude But In What The Mind Conceives.