On The One Hand, You're

I've Been To North Africa Many Times.

If Everything Moves Along And There Are No Major Catastrophes We're Basically Headed Towards Holograms.

There Was Always A Part Of Me That Wanted To Be An Old-time Director. But I Couldn't Do That. I'm Not A Pro.

I've Been Extremely Lucky To Work With Elmer Bernstein, Howard Shore Over The Years, But I've Always Imagined Films With My Own Scores, Because I Don't Come From That World Or That Period Of Filmmaking. And So How Could I Make Up My Own Score On A Film Like This Where It Isn't Necessarily Made Up Of Popular Music From The Radio Or The Period; It Isn't Necessarily Classical Music. But What If It's Modern Symphonic Music?

I Wouldn't Presume To Be God's Point Of View.