Nothing Is As Dangerous As

You're Free To Speculate As You Wish About The Philosophical And Allegorical Meaning Of The Film—and Such Speculation Is One Indication That It Has Succeeded In Gripping The Audience At A Deep Level—but I Don't Want To Spell Out A Verbal Road Map For 2001 That Every Viewer Will Feel Obligated To Pursue Or Else Fear He's Missed The Point.

However Vast The Darkness, We Must Supply Our Own Light.

The Test Of A Work Of Art Is, In The End, Our Affection For It, Not Our Ability To Explain Why It Is Good.

The First Really Important Book I Read About Filmmaking Was The Film Technique By Pudovkin. This Was Some Time Before I Had Ever Touched A Movie Camera And It Opened My Eyes To Cutting And Montage.

A Film Is - Or Should Be - More Like Music Than Like Fiction.