Not Every Problem Someone Has

The Means Of Communication, The Irresistible Output Of The Entertainment And Information Industry Carry With Them Prescribed Attitudes And Habits, Certain Intellectual And Emotional Reactions Which Bind The Consumers To The Producers And, Through The Latter To The Whole Social System. The Products Indoctrinate And Manipulate; They Promote A False Consciousness Which Is Immune Against Its Falsehood...thus Emerges A Pattern Of One-dimensional Thought And Behavior.

Art Breaks Open A Dimension Inaccessible To Other Experience, A Dimension In Which Human Beings, Nature, And Things No Longer Stand Under The Law Of The Established Reality Principle...the Encounter With The Truth Of Art Happens In The Estranging Language And Images Which Make Perceptible, Visible, And Audible That Which Is No Longer, Or Not Yet, Perceived, Said, And Heard In Everyday Life.

Dialectical Logic Undoes The Abstractions Of Formal Logic And Of Transcendental Philosophy, But It Also Denies The Concreteness Of Immediate Experience. To The Extent To Which This Experience Comes To Rest With The Things As They Appear And Happen To Be, It Is A Limited And Even False Experience. It Attains Its Truth If It Has Freed Itself From The Deceptive Objectivity Which Conceals The Factors Behind The Facts - That Is, If It Understands Its World As A Historical Universe, In Which The Established Facts Are The Work Of The Historical Practice Of Man.

Hypostatized Into A Ritual Pattern, Marxian Theory Becomes Ideology. But Its Content And Function Distinguish It From Classical Forms Of Ideology; It Is Not False Consciousness, But A Rather Consciousness Of Falsehood, A Falsehood Which Is Corrected In The Context Of The Higher Truth Represented By The Objective Historical Interest.

To The Degree To Which They Correspond To The Given Reality, Thought And Behavior Express A False Consciousness, Responding To And Contributing To The Preservation Of A False Order Of Facts. And This False Consciousness Has Become Embodied In The Prevailing Technical Apparatus Which In Turn Reproduces It.