No One, Though Has To

I Began Making Pictures Because I Wanted To Record What Supports Hope: The Untranslatable Mystery And Beauty Of The World. Along The Way, However, The Camera Also Caught Evidence Against Hope, And I Eventually Concluded That This, Too, Belonged In Pictures If They Were To Be Truthful And Thus Useful.

I Keep Calling It The I-thought. It's A Thought. There Is No I. This Gives You A Clue.

We Have Names For Everything. What If We Forgot About Those Names? And We Stopped Seeing Things As Something? What If We Just Observed Things, Watched Things, Without Giving Them A Name, Without Coming To A Conclusion? What Do You Think Would Happen? You Would Transcend Everything.

Landscape Pictures Can Offer Us, I Think, Three Verities: Geography, Autobiography, And Metaphor. Geography Is, If Taken Alone, Sometimes Boring, Autobiography Is Frequently Trivial, And Metaphor Can Be Dubious. But Taken Together, As In The Best Work Of People Like Alfred Stieglitz And Edward Weston, The Three Kinds Of Information Strengthen Each Other And Reinforce What We All Work To Keep Intact - The Affection For Life.

You Are Before Being And Not Being, Awake And Dream Take Place In Time. You Have No Time.