Never Again Work In The

The Flower Of My Secret Is Definitely More Based In True Emotions. I Also Wanted To Make Something More Realistic, But Not Naturalistic Or Simple.

Whenever I Arrive On A Real Location, I Have To Move Around And Work Out What The Best Angles Are Going To Be.

I Tried To Think About These Two Issues Very Freely. With Sex, I Think I Can Manage With That. With Death, This Is A More Difficult Theme For Me. I'm Not A Believer, Even Though I'm Baptized. I Don't Practice. I Don't Believe In God, So I Feel Very Alone Facing Death. What I Discovered Is That The Only Way To Recognize Death Is If You Are Part Of Life, If You Are Part Of Sexual Pleasure, If You Link It With Sexual Pleasure.

If I Had Not Been Successful As A Director, Then I'm Sure I Would Still Be Telling Stories. I Would Have Continued On 16mm Or Found A Different Medium Through Which To Tell Them. Maybe They Would Have Been Less Glamorous Than Films, But I Would Continue To Tell Stories.

I Used This Line To Demonstrate How Important Colors Are In Movies: It's Not A Caprice.