Nature Does Not Deceive Or

The Less We Understand Of What Our Fathers And Forefathers Sought, The Less We Understand Ourselves, And Thus We Help With All Our Might To Rob The Individual Of His Roots And His Guiding Instincts, So That He Becomes A Particle In The Mass, Ruled Only By What Nietzsche Called The Spirit Of Gravity.

Because The European Does Not Know His Own Unconscious, He Does Not Understand The East And Projects It Into Everything He Fears And Despises In Himself.

The Christian Missionary May Preach The Gospel To The Poor Naked Heathen, But The Spiritual Heathen Who Populate Europe Have As Yet Heard Nothing Of Christianity.

Therein Lies The Social Significance Of Art: It Is Constantly At Work Educating The Spirit Of The Age, Conjuring Up The Forms In Which The Age Is More Lacking. The Unsatisfied Yearning Of The Artist Reaches Back To The Primordial Image In The Unconscious, Which Is Best Fitted To Compensate The Inadequacy And One-sidedness Of The Present. The Artist Seizes On This Image And, In Raising It From Deepest Unconsciousness, He Brings It Into Relation With Conscious Values, Thereby Transforming It Until It Can Be Accepted By The Minds Of His Contemporaries According To Their Powers.

The Primordial Image, Or Archetype, Is A Figure--be It A Daemon, A Human Being, Or A Process--that Constantly Recurs In The Course Of History And Appears Wherever Creative Fantasy Is Freely Expressed. Essentially, Therefore, It Is A Mythological Figure. . . . In Each Of These Images There Is A Little Piece Of Human Psychology And Human Fate, A Remnant Of The Joys And Sorrows That Have Been Repeated Countless Times In Our Ancestral History. . . .