Nah... I Mean, I'm Already

I Think When You're Writing Prose There's A Lot Of Attendant Description And That's Were I Used To Really Go Bananas. With A Screenplay That All Gets Filled In By The Director, So It Just Sort Of Pulls You Back By Virtue Of The Form. You Also Have To Use More Economy As A Screenwriter And So It's Kind Of Limiting In A Good Way.

The One Thing I Have Found About Hollywood Is It's A Town Full Of People Who Believe In Themselves, Often To A Degree Where They're What You Would Call "delusional."

If This Whole Writing Thing Doesn't Work Out, I'll Be Getting Right Back On The Pole.

I Think I Have Always Sort Of Cultivated A Flowery Writing Style. I've Always Sort Of Over - Written In Every Genre That I've Attempted. I Went To College And Took A Couple Of Writing Classes And I Remember My Teachers Were Always Incredibly Encouraging. But It Was Inevitable To Get The Criticism: "take It Down A Notch!" But The Nice Thing About Screenwriting Is That You Don't Really Have To.

I've Never Even Seen A Great Set Fight Or A Great Set Meltdown. I Seem To Always Be On These Incredibly Relaxed Sets.