My Old Coach Used To

I Don't Begin A Novel Or A Screenplay Until I Know The Ending. And I Don't Mean Only That I Have To Know What Happens. I Mean That I Have To Hear The Actual Sentences. I Have To Know What Atmosphere The Words Convey.

You Can't Learn Everything You Need To Know Legally.

The Main Character And The Most Important Character Are Not Always The Same Person - You Have To Know The Difference.

So My Grandmother Was Not Without Humanity. And If She Wore Cocktail Dresses When She Labored In The Garden, They Were Cocktail Dresses She No Longer Intended To Wear To Cocktail Parties. Even In Her Rose Garden She Did Not Want To Appear Underdressed. If The Dresses Got Too Dirty From Gardening, She Threw Them Out. When My Mother Suggested To Her That She Might Have Them Cleaned, My Grandmother Said, "what? And Have Those People At The Cleaners What I Was Doing In A Dress To Make It That Dirty?" From My Grandmother I Learned That Logic Is Relative.

Before I Began The Cider House Rules, I Thought I Wanted To Write About A Father-son Relationship That Was Closer, More Conflicted, And Ultimately More Loving, Than Most. Then I Began To Think Of A Relationship Between An Old Orphanage Director And An Unadoptable Orphan - A Kid Who Goes Out Into The World And Fails And Keeps Coming Back, So That The Old Guy Ends Up With Someone He's Got To Keep.