My Mother Wouldn't Even Let

I Have A Lot Of Fans Who Are People Of Color. I Think, If Nothing Else, I Kind Of Understand That Sense Of Being On The Outside Looking In, Culturally.

I Think The Important Thing About Staying Creative And Staying Sharp And Original Is Not To Look Back Too Much, And To Kind Of Look To Where Your Vision Is Going Now. But I Have Felt Over The Years A Definite Progression Or Arc From Feeling Guilty About What I Had Done With The First One, Because Certainly There Was All That Fundamentalist Guilt That Came Pouring Back In. Feeling Like I'd Done Something Horrible, "i'm A Despicable Person And I'm Perverse," And All These Things, To A Sense Of The Power And The Necessity, In A Sense, Of Horror Films And Dealing With Dark Material.

The First Monster That An Audience Has To Be Scared Of Is The Filmmaker. They Have To Feel In The Presence Of Someone Not Confined By The Normal Rules Of Propriety And Decency.

I Came To Terms With Living Mostly In A World Of Horror Pictures Or Genre Pictures. I Have Had A Few Chances To Get Outside And Do Something Different, Like Paris, Je T'aime Or Music Of The Heart, But Mostly It's Been My Lot. And To Have Created, With A Few Shocking Films, An Awareness Or A Perception Of Me As Somebody Dangerous And Scary - That Can Be Sold, But Trying To Sell Me For Some Other Kind Of Picture, Like Music Of The Heart, Was Very Difficult.

If You Think It, The Camera Will See It.