Most Of What I Know

I've Been Friends With The Guys In Radiohead For A Lot Of Years, And I Watch The Way Those Guys Work With Incredible Envy. Because Whatever The Slings And Arrows Of Dealing With The Record Business, At The End Of The Day, They Have Total Creative Autonomy. They Don't Need A Lot To Do What They Do, And Thom [yorke] And Jonny [greenwood] And The Guys Have Their Own Joint In Their Hometown.

Just Because You've Made A Couple Movies, You've Done Some Good Movies, You've Been Nominated For Some Academy Awards, Whatever, Nobody's Entitled. It's A Business. If They Don't See It, I Can Think They're Wrong, But I'm Not Entitled To A $15 Million Budget To Make A Film.

I Like It When The Deeper You Go With The Character, The More You See The Layers Start To Peel Away.

When I Think About Directing A Film, The Thing That Stops Me Short Is Wondering If I'm A Natural At It The Way I Think You, And Pta, And Fincher Are Born Directors. Maybe Some People's Talent Is In Understanding The Ways That Film Communicates, Without Dialogue, Without Plot.

I've Always Thought Of Acting As More Of An Exercise In Empathy, Which Is Not To Be Confused With Sympathy. You're Trying To Get Inside A Certain Emotional Reality Or Motivational Reality And Try To Figure Out What That's About So You Can Represent It.