Look, We're All Saddled With

I Worked With Someone Else's Photos; I Cropped Them In Whatever Way I Wanted And Put Words On Top Of Them. I Knew How To Do It With My Eyes Closed. Why Couldn't That Be My Art?

... The Thing That's Happening Today Vis-á-vis Computer Imaging, Vis-á-vis Alteration, Is That It No Longer Needs To Be Based On The Real At All. I Don't Want To Get Into Jargon - Let's Just Say That Photography To Me No Longer Pertains To The Rhetoric Of Realism; It Pertains More Perhaps To The Rhetoric Of The Unreal Rather Than The Real Or Of Course The Hyperreal.

You Want It, You Buy It, You Forget It.

I Have No Complaints, Except For The World.

I Try To Deal With The Complexities Of Power And Social Life, But As Far As The Visual Presentation Goes I Purposely Avoid A High Degree Of Difficulty.