Like Other Ghosts, She Whispers;

When My Parents Were Liberated, Four Years Before I Was Born, They Found That The Ordinary World Outside The Camp Had Been Eradicated. There Was No More Simple Meal, No Thing Was Less Than Extraordinary: A Fork, A Mattress, A Clean Shirt, A Book. Not To Mention Such Things That Can Make One Weep: An Orange, Meat And Vegetables, Hot Water. There Was No Ordinariness To Return To, No Refuge From The Blinding Potency Of Things, An Apple Screaming Its Sweet Juice.

I Wanted A Line In A Poem To Be The Hollow Ney Of The Dervish Orchestra Whose Plaintive Wail Is A Call To God. But All I Achieved Was Awkward Shrieking. Not Even The Pure Shriek Of A Reed In The Rain.

Like Other Ghosts, She Whispers; Not For Me To Join Her, But So That, When I'm Close Enough, She Can Push Me Back Into The World.

Any Given Moment - No Matter How Casual, How Ordinary - Is Poised, Full Of Gaping Life.

Translation Is A Kind Of Transubstantiation; One Poem Becomes Another. You Can Choose Your Philosophy Of Translation Just As You Choose How To Live: The Free Adaptation That Sacrifices Detail To Meaning, The Strict Crib That Sacrifices Meaning To Exactitude. The Poet Moves From Life To Language, The Translator Moves From Language To Life; Both, Like The Immigrant, Try To Identify The Invisible, What's Between The Lines, The Mysterious Implications.