I've Turned Down Shows Offering

You've Got To Put Yourself In Positions To Take Away What Can Be Said.

Often Poetry, Especially The Sort Of Poetry I Write, Is Concerned With Looking At The Borders Between The Sensual And The Spiritual And Seeing Them As Divided, Equivocal, That Mystery Somehow Can Break In To The Ordinary. And We Read Poetry I Think In Part, To Gain A Sense Of That Intimacy With Things That We Can't Understand That Are Unable To Be Understood But That Buoy Up Our Lives.

The Good Thing About Having Chemistry Is, When You Get To The Improv Section Of A Scene, You've Got Somebody To Feed Off. It Can Go On And On And On, And The Sky's The Limit.

When You're Coming Up With New Material, It's Not Always Gonna Be Good. The Only Way To Learn Is For It Not To Get A Laugh, So You Can Adjust It And Come Back The Next Day To See If It's Working Right. Next Time, You Might Get A Different Laugh. You're Constantly Rebuilding.

People See Me On The Street, And They Point To Me, And They're Like, 'hey! All Right, All Right, All Right!'