It's The Fear Of What

There Are Two Strains, I Think, In American Playwriting, Of Importance. One Is Traditional Narrative Realism, Which Is Definitely My Strain, And Then The Other Great Contribution Is American Musical Theater, Which Is A Whole Other Kettle Of Fish.

I Tend To Be Sort Of Quiet And Shy And Awkward In Social Situations.

There Are No Gods Here, No Ghosts And Spirits In America, There Are No Angels In America, No Spiritual Past, No Racial Past, There's Only The Political, And The Decoys And The Ploys To Maneuver Around The Inescapable Battle Of Politics.

I Think That It's Worthwhile To Explore The Ways In Which You Write The Person That's Writing Your Plays As Opposed To Simply Assuming That It's All A Natural Process And There's No Design In It. Because Your Public Persona Is Designed, To A Certain Extent, And You Can Have Fun And Profit At Various Times Doing That.

Don't Be Afraid; People Are So Afraid; Don't Be Afraid To Live In The Raw Wind, Naked, Alone...learn At Least This: What You Are Capable Of. Let Nothing Stand In Your Way.