It's Really Hard To Know

There Is A Documentary Element In My Films, A Very Strong Documentary Element, But By Documentary Element, I Mean An Element That's Out Of Control, That's Not Controlled By Me. And That Element Is The Words, The Language That People Use, What They Say In An Interview. They're Not Written, Not Rehearsed. It's Spontaneous, Extemporaneous Material. People

Maybe Today I Would Call Fred Leuchter And There Would Be Two Or Three Other Documentary Filmmakers Interested In His Story Simply Because Of The Exposure.

I Don't Think That Anybody Really Makes Films Quite Like Mine. That's Maybe True Of Any Filmmaker.

I Don't Believe That You Can Talk About A Photograph Being True Or False. I Don't Think Such A Claim Has Any Meaning.

People Often Trust Low-res Images Because They Look More Real. But Of Course They Are Not More Real, Just Easier To Fake. [...] You Never See A 10-megapixel Photograph Of Big Foot Or The Abominable Snowman Or The Loch Ness Monster.