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I Often Say To My Students In Workshops That If They Are Trying To Find Literary Inspiration, They Should Not Go And Read Novels, Because Novels Are More Appropriate For Series. Where As They Should Read Short Stories - That's The Right Format For You To Be Able To Actually Display The Narrative In A Film.

Using Non-actors Has Its Own Rules And Really Requires That You Allow Them To Do Their Own Thing.

With The Red, I Didn't Have This Impression At All. I Felt That It Was As Heavy As A Film Camera. Having This Great Crew, With The Dp And His Assistants, I Found It Making As Much Of An Impression As A Very Big Film Camera. I Didn't Relate To It As Much. I Remember Avoiding It During The Shooting Rather Than Paying Attention To It.

Cinema Gives You The Opportunity To Be Both A Grandparent And A Grandchild Whereas In Life You Cannot Be Both At The Same Time.

The Starting Point And The Ending Point Are Nothing But Two Arbitrary Choices. You Make Them As In Soccer Games, Where They Chose That It's 90 Minutes, Not Less And Not More. But The Choices Are The Responsibility Of The Filmmaker. You Have To Choose To Join The Story At An Arbitrary Point, And You Leave It At An Arbitrary Point.