It's Funny, Because In Drama

From The Time I Became An Actor My Whole Approach Was To Try To Do As Many Different Things As Possible. It Never Occurred To Me That I Might Be Typecast.

If You're Going To Come At Me, Come At Me Respectfully, And I Will Respond Respectfully.

Sometimes You Have To Say, "no. This Is My Space." If You're Going To Come At Me, Come At Me Respectfully, And I Will Respond Respectfully.

I Feel Like My Public Life Isn't Necessarily My Own. I'm Starting To Get Used To How To Maneuver And Operate In New York In A Way That I Don't Get Stopped All The Time. I Just Pretty Much Say "thank You." But One Of The Things Is To Try To Keep Moving. Not To Stop Too Long, Because People Try To Get Into A Conversation With You All The Time. The Hardest Thing Is On The Subway, Or When People Try To Chase You Down.

Notes Are Tricky In An Audition, Because I Find, More Often Than Not, My Instinct Is Right. If They Have A Preconceived Notion About The Role And It Goes Against My Instinct, Unless It Makes Sense To Me, It Often Throws Off What I'm Trying To Do. Though Sometimes They Have An Insight That I Don't Because They've Been Living With The Script. I Don't Have One Feeling Or Another About Notes, But It Is Always A Little Bit Of A Red Alert When I Get One In An Audition.