It Seemed To Him A

Right From The Very Beginning, I Knew I Wanted To Write Palpably Scottish Fiction.

I Used To Think That: Whenever I Heard That Someone Had Taken 10 Years To Write A Novel, I'd Think It Must Be A Big, Serious Book. Now I Think, 'no - It Took You One Year To Write, And Nine Years To Sit Around Eating Kit Kats.

I'm Interested In Scotland Now And Then, How It's Changed. I Want To Get The Reader To Think About That By Thinking About Something From The Past. How Has Society Changed, How Has Policing Changed, Have We Changed Philosophically, Psychologically, Culturally, Spiritually?

From This Height The Sleeping City Seems Like A Child's Construction, A Model Which Has Refused To Be Constrained By Imagination. The Volcanic Plug Might Be Black Plasticine, The Castle Balanced Solidly Atop It A Skewed Rendition Of Crenellated Building Bricks. The Orange Street Lamps Are Crumpled Toffee-wrappers Glued To Lollipop Sticks.

I Think Writers Have To Be Proactive: They've Got To Use New Technology And Social Media. Yes, It's Hard To Get Noticed By Traditional Publishers, But There's A Great Deal Of Opportunity Out There If You've Got The Right Story.