It's Kind Of Dangerous To

There Are Some Scenes That Work Beautifully In A Moving, Sweeping Master, Which Is How I Like To Work.

It Goes Back To A Style Of Moviemaking I Remember Seeing As A Child, In Movies Like The Man With The Golden Arm, Which I Think Was Shot All On A Sound Stage.

I Didn't Need The Insurance. I Do It Again If My Dp Tells Me It Didn't Look Good In The Camera Or If The Actors Didn't Hit Their Marks. But If Everything Was Working Why Do It Again?

Michael Ralph Brilliantly Plays The Street Prophet, A West Indian Who Foreshadows The Harlem Riot.

As Far As Pacing The Shoot Is Concerned, I Know When I've Got It. I Don't Think There's Any Reason To Take Ten Takes Unless You Need Them.