It Is True That Every

For A Hundred Years, Modern Painters, Stubbornly And In The Face Of Incessant Hostility, Have Moved, Step By Step, Leaving Superb Monuments By The Wayside, Towards An Art Of Arrangement Whose Expressiveness Depends Less And Less Upon Its Elements Imitating The Objects Of The External World.

Collage Is The Twentieth Century's Greatest Innovation

In The End I Realize That Whatever Meaning That Picture Has Is The Accumulated Meaning Of Ten Thousand Brushstrokes, Each One Being Decided As It Was Painted.

If One Were To Ask A Painter What He Felt About Anything, His Just Response - Though He Seldom Makes It - Would Be To Paint It, And In Painting, To Find Out.

A Main Part Of The Struggle Of Art Has Been To Make An Art That Is Direct, Simple, Humane, Unconnected With Powers That Be In Their Essence... To The Degree That It Is Connected With The Bourgeoisie Via The Marketplace And So On Is Not Necessarily An Artist's Problem.