It Is A Lazy Public

Read The Great Stuff, But Read The Stuff That Isn't So Great, Too. Great Stuff Is Very Discouraging. If You Read Only Beckett And Chekhov, You'll Go Away And Only Deliver Telegrams For Western Union.

If You Want A Commercial Success - It's The Confusion Of Commerce With Art. A Successful Play Is Not Considered To Be The Best Written. It Is The One That Sells The Most Tickets. Those Standards Are Destructive [to Theatre].

When You Write A Play, You Make A Set Of Assumptions -- That You Have Something To Say, That You Know How To Say It, That Its Worth Saying, And That Maybe Someone Will Come Along For The Ride.

There's Always The Danger That There Are So Damn Many Things That A Playwright Can Examine In This Society Of Ours - Things That Have Less To Do With His Artistic Work Than Have To Do With The Critical And Aesthetic Environment - That Perhaps He Does Have To Worry About Whether Or Not He Is Writing Too Fast. But Then Also, Perhaps He Should Worry About Getting As Many Plays On As Possible Before The Inevitable Ax Falls.

I Think I Sit Down To The Typewriter When It's Time To Sit Down To The Typewriter. That Isn't To Suggest That When I Do Finally Sit Down At The Typewriter, And Write Out My Plays With A Speed That Seems To Horrify All My Detractors And Half Of My Well-wishers, That There's No Work Involved. It Is Hard Work, And One Is Doing All The Work Oneself.