Inside The Peach, There Is

While He Writes, I Feel As If He Is Drawing Me; Or Not Drawing Me, Drawing On Me - Drawing On My Skin - Not With The Pencil He Is Using, But With An Old-fashioned Goose Pen, And Not With The Quill End But With The Feather End. As If Hundreds Of Butterflies Have Settled All Over My Face, And Are Softly Opening And Closing Their Wings.

I Don't Think Of Poetry As A 'rational' Activity But As An Aural One. My Poems Usually Begin With Words Or Phrases Which Appeal More Because Of Their Sound Than Their Meaning, And The Movement And Phrasing Of A Poem Are Very Important To Me.

We Love Each Other, That’s True Whatever It Means, But We Aren’t Good At It; For Some It’s A Talent, For Others Only An Addiction.

Stick A Shovel Into The Ground Almost Anywhere And Some Horrible Thing Or Other Will Come To Light. Good For Trade, We Thrive On Bones; Without Them There'd Be No Stories.

It's Impossible To Say A Thing Exactly The Way It Was, Because Of What You Say Can Never Be Exact, You Always Have To Leave Something Out, There Are Too Many Parts, Sides, Crosscurrents, Nuances; Too Many Gestures, Which Could Mean This Or That, Too Many Shapes Which Can Never Be Fully Described, Too Many Flavors, In The Air Or On The Tongue, Half-colors, Too Many.