I Start From Scratch With

If You're Doing Your Job Properly, You Take The Risk Of Feeling Slightly Foolish And Delve In And Bring Out The Emotions.

I've Always Believed That The Director Does Whatever The Hell He Wants. That's What You Sign On For As An Actor - I Can't Stand It When You Have Actors Who Are Trying To Leverage Directors Into Doing Things They Don't Want To Do.

People Always Say, "what Do You Want To Do Next, What Kind Of Movie Do You Want To Do Next?" And I Say, "i Wanna Do Whatever Script That Is The Best One That Comes My Way." I Certainly Would Never Say, "oh, I'm Gonna Do A Western Next," And Sit Around Waitin' For A Western To Come Along When There's Some Other Genre's Brilliant Script Sitting Right There.

'3:10 To Yuma' Was One That I Just Kept On Talking And Thinking About After Reading It. And I Think The Reason Is Because, Like In Most Westerns, You Have The Very Clear-cut Bad-guy/good-guy, However, As The Movie Progresses, You Kind Of See That It's A Very Fine Line That Divides These Two.

I Never, In Any City I've Ever Been In, Never Remember The Names Of Streets. The Longest Place I Ever Lived In Was For Five Years And I Didn't Know The Name Of The Next Street Over.