In The Hands Of A

I Come From The Theatre, My Bones Are In The Theatre; It’s As Natural As Breathing To Want To Be In The Theatre

Across All Cinderella Versions It Was Clear That The 21st Century Was Not Very Much In Evidence, Particularly In The Character Of Cinderella So It Seemed, It Felt Actually As Though It Hadn't Been Done For Quite Some Time, Not With The Kind Of Lushness That We Could Do It With, With An Absolute Removal Of The Passivity Of Cinderella And Finding An Amusing Way, A Lighthearted But Significant Way Of Making Her Proactive And Not A Girl Who's Life Is About Waiting For A Bloke.

If You've Been To Moscow, It's A Really Exciting And Great City, But It Still Feels Like You Should Be A Little Careful About Which Way You're Going To Step.

The Long Version Of The Play Is Actually An Easier Version To Follow. In All Of The Cut Versions The Intense Speeches Are Cut Too Close Together For The Audience And The Actors.

Actors Are The Best And The Worst Of People. They're Like Kids. When They're Good, They're Very Very Good. When They're Bad They're Very Very Naughty.