In New York In The

The Most Evocative Thing To Me Is Probably When A Writer And A Group Of Performers Can Collectively Put Together Something Compelling That Asks The Really Simple Question: 'how Do We Live?'

Films Take Too Long. There's Too Much Bs, Too Much Nonsense. If I Want To Do A Play, I Just Call The Theater, Whether It's Here, Or In Paris Or Mexico Or Spain Or London Or Whatever, And Say, "i Want To Do This, Are You Interested?" They'll Answer The Next Day. With A Movie, It's All, "oh, I See This Film As Blah Blah Blah." They Don't Know What You're Talking About, They Don't Care.

I Like Very Much To Do Movies.

I'd Hate To See Any Film I'm Involved In Fail, Especially Artistically But Also Business-wise.

I've Permitted Myself To Learn And To Fail With Some Regularity. And That Is Probably The One Thing I Was Given, And That I'm Still Grateful For.