In My Opinion The Man

In This Type Of Cinema, Whether Working With Actors Or Non-actors, As Much As You Do Direct Them, If You Allow Yourself To Be Directed By Them, Then The End Result Will Be Much More Pleasing. The Real And Individual Strengths Of The Actors Is Allowed To Be Expressed And Is Something That Does Affect The Audience Very Deeply.

When I Met Akira Kurosawa In Japan, One Question He Asked Me Was, "how Did You Actually Make The Children Act The Way They Do? I Do Have Children In My Films But I Find That I Reduce And Reduce Their Presence Until I Have To Get Rid Of Them Because There's No Way That I Can Direct Them." My Own Thought Is That One Is Very Grand, Like An Emperor On A Horse, And It's Very Hard For A Child To Relate To That. In Order To Be Able To Cooperate With A Child, You Have To Come Down To Below Their Level In Order To Communicate With Them.

You've Noticed That Same Joke Told By Two Different People, Once Works, And The Other Time Doesn't, Simply Because How The Person Edits It. The Silences, The Pauses, What They Neglect, What They Emphasize - All Of This Matters.

The One-word Cinema Wasn't Possible For Me Anymore. I'd Hit A Wall, A Dead End. Therefore I Thought I'd Turn Back.

We Don't Look At Each Other [in The Car], But Instead Do So Only When We Want To. We're Allowed To Look Around Without Appearing Rude. We Have A Big Screen In Front Of Us And Side Views. Silence Doesn't Seem Heavy Or Difficult.