In Cities No One Notices

For Me, Wellbehaved Books With Neat Plots And Worked-out Endings Seem Somewhat Quaint In The Face Of The Largely Incoherent Reality Of Modern Life; And Then Again Fiction, At Least As I Write It And Think Of It, Is A Kind Of Religious Meditation In Which Language Is The Final Enlightenment, And It Is Language, In Its Beauty, Its Ambiguity And Its Shifting Textures, That Drives My Work.

Writing Is A Form Of Personal Freedom. It Frees Us From The Mass Identity We See In The Making All Around Us. In The End, Writers Will Write Not To Be Outlaw Heroes Of Some Underculture But Mainly To Save Themselves, To Survive As Individuals.

I Long For The Days Of Disorder. I Want Them Back, The Days When I Was Alive On The Earth, Rippling In The Quick Of My Skin, Heedless And Real. I Was Dumb-muscled And Angry And Real. This Is What I Long For, The Breach Of Peace, The Days Of Disarray When I Walked Real Streets And Did Things Slap-bang And Felt Angry And Ready All The Time, A Danger To Others And A Distant Mystery To Myself.

All Who Have Their Reward On Earth, The Fruits Of Painful Superstition And Blind Zeal, Naught Seeking But The Praise Of Men, Here Find Fit Retribution, Empty As Their Deeds.

I Felt Joyce Was An Influence On My Fiction, But In A Very General Way, As A Kind Of Inspiration And A Model For The Beauty Of Language.