In A World Where Language

Experience Is Always Larger Than Language.

The Mother's Battle For Her Child With Sickness, With Poverty, With War, With All The Forces Of Exploitation And Callousness That Cheapen Human Life Needs To Become A Common Human Battle, Waged In Love And In The Passion For Survival.

I Believe That Words Can Help Us Move Or Keep Us Paralysed, And That Our Choices Of Language And Verbal Tone Have Something - A Great Deal - To Do With How We Live Our Lives And Whom We End Up Speaking With And Hearing; And That We Can Deflect Words By Trivialization, Of Course, But Also By Ritualized Respect, Or We Can Let Them Enter Our Souls And Mix With The Juices Of Our Minds.

The Impulse To Create Begins - Often Terribly And Fearfully - In A Tunnel Of Silence. Every Real Poem Is The Breaking Of An Existing Silence, And The First Question We Might Ask Any Poem Is, What Kind Of Voice Is Breaking Silence, And What Kind Of Silence Is Being Broken?

To Read As If Your Life Depended On It Would Mean To Let Into Your Reading Your Beliefs, The Swirl Of Your Dreamlife, The Physical Sensations Of Your Ordinary Carnal Life; And Simultaneously, To Allow What You're Reading To Pierce Routines, Safe And Impermeable, In Which Ordinary Carnal Life Is Tracked, Charted, Channeled. Then, What Of The Right Answers, The So-called Multiple-choice Examination Sheet With The Number 2 Pencil To Mark One Choice And One Choice Only?