I'm Godless. I've Had To

I've Always Wanted To Introduce Hip-hop Filmmaking To Film. There's Hip-hop Art, Dance, Music, But There Really Isn't Hip-hop Film. So I Was Trying To Do That.

I Wasn't A Big Fan Of Social Anthropology. And, Luckily, That Created Room For Me To Work In Visual Arts Because I Sort Of Ignored My Requirements. I Think I Was Attracted To Social Anthropology Because I Liked To Travel And Was Always Interested In Far-off Places.

I Remember The Few Times That Happened To Me In Writing, Where You Basically Start Writing And You Look At The Clock And Six Hours Have Gone By And You're, Like, "whoa! What The Hell Just Happened?" And That Piece Ends Up In The Final Product Even Though The Final Product Is Three Years Away. It Doesn't Get Rewritten. It Came Out The Right Way. But That's Happened To Me So Few Times In My Life.

For Too Long We Have Been Taking, And The Earth Has Been Giving. But That Free-for-all, That All-you-can-eat Buffet, It's Over. The Salad Bar Is Closed.

Right After I Did 'the Fountain,' I Wanted To Go Make A Documentary Or Something That Was Less Constructed - More Natural. I Was Searching For A Project, And Sniffing Around, 'the Wrestler' Fit Right In