I'm Attracted To Short Screenplays.

Were "a Clockwork Orange" Or "blue Velvet" Released Today, Would They Have The Same Power To Shock That They Had When They Came Out? Are We Too Inured By That Torrent Of Images And The Ridiculousness Of Modern Political Life, So That Nothing Shocks Us Anymore? What Does It Take To Shock Someone Today - Or At Least Jolt Them? I Don't Have An Answer. I'm Just Asking The Question.

The Thing Is, Right Now The Films Don't Need To Be Overtly Political To Be About Our Times. We Also Need Films That Are Just Human, That Are About People. People Need That, Too. It's Like We Need To Reconnect To What It Is To Be Human. Not Just What Our Political Situation Is. That's Not What I'm Thinking About Exclusively. Human Content Is Needed Again, As It Was In The '70s. I Think Films Were More Human Than They've Been Since Then.

I Don't Think So Much About Verbal Comedy. I Always Think About Visual Comedy. I Was Raised Watching Silents, And I'm Always Thinking About How To Make Cinema, Not Good Talking - Although I Want Good Talking. I'm Much More Interested In Framing, Composition, And Orchestration Of Bodies In Space, And So Forth. My Goal Is Always What Chuck Jones Wanted His Warner Brothers Cartoons To Be, Which Was If You Turn Down The Sound, You Could Still Tell What's Going On. I Think If You Watch Most Of My Films With The Sound Off, You Could Still Tell What's Going On.

What Is Filmmaking But Groping In The Dark?

I Definitely In Filmmaking More And More Find Writing And Directing A Means To Harvest Material For Editing. It's All About Editing.