If You Want To Know

People Are Always Talking On Their Phones, Or Looking At Their Phones, Because They Don't Want To Be Alone With Their Thoughts.

The Middle Class Is Doing Fine In Fiction. But It's Not What Gets Me Going. I Love The Working Class, And Everyone From It I've Met, And Think They're Incredibly Witty, Inventive - There's A Lot Of Poetry There.

For Both Of Us, I Think, It Had To Do With Our Weakened Power To Love. It Is Strange That Enslavement Should Have That Effect – Not Just The Fantastic Degradation, Not Just The Fear And The Boredom And All The Rest, But Also The Layered Injustice, The Silent Injustice. So All Right. We’re Back Where We Started. To You, Nothing – From You, Everything. They Took It From Me, It Seems, For No Reason, Other Than That I Value It So Much.

That Certain Snobbery Of Certainly The Parisian - Combined With A Complete Denial Of Your Historical Legacy, Is Just Awful. That's A Funny Thing About France. Saul Bellow Wrote Somewhere That He Saw Right Through The French. He Lived There. He Wrote The Adventures Of Augie March In Paris, And There's No One Better Than Him To Say What's Unbearable About The French.

You Know How It Is When Two Souls Meet In A Burst Of Ecstatic Volubility, With Hearts Tickling To Hear And To Tell, To Know Everything, To Reveal Everything, The Shared Reverence For The Other's Otherness, A Feeling Of Solitude Radiantly Snapped By Full *contact* - All That?