If You Lay In The

My Approach To Photograph Is Kept Simple, Almost Routine. All Work, Good And Bad, Is Documented. I Use Standard Film, A Standard Lens And No Filters. Each Work Grows, Strays, Decays-integral Parts Of A Cycle Which The Photograph Shows At Its Height, Marking The Moment When The Work Is Most Alive. There Is An Intensity About A Work At Its Peak That I Hope Is Expresses In The Image. Process And Decay Are Implicit.

When It Does Get Below Freezing And There Is - It's Cold Enough For Ice To Form, Then That Changes The Whole Landscape, And It Makes The Landscape A Different Landscape To The One That I Worked With Previously. And I Want To Understand That. But The Big Tension Of The Ice Works Is That They're Often Made When It's Cold Enough To Freeze One Piece Of Ice To Another.

Once The Fired Stone Is Out Of The Kiln, It Is Still Possible To Mentally Reconstruct It In Its Original Form.

We Often Forget That We Are Nature.

The Main Source Of My Income Is Through The Commissions Of The Large-scale Works And Big Sculptures, The Projects.