If You Don't Have A

I Think I'm Really Part Of A Whole Generational Movement In A Way. I Think A Lot Of Other People Since And During This Time Have Gotten Interested In Writing What We Can Still Call Experimental Music. It's Not Commercial Music. And It's Really A Concert Music, But A Concert Music For Our Time. And Wanting To Find The Audience, Because We've Discovered The Audience Is Really There. Those Became Really Clear With Einstein On The Beach.

What You Hear Depends On How You Focus Your Ear. We're Not Talking About Inventing A New Language, But Rather Inventing New Perceptions Of Existing Languages.

In Order To Arrive At A Personal Style, You Have To Have A Technique To Begin With.

I've Been Working In Theater, Really, Since About 1965. I Started Working With The Mabou Mines About Then, And In A Way I've Always Worked In The Theater, But It's Never Been A Main Part Of My Work. And It Wasn't Until Einstein That I Kind Of Shifted Into High Gear With Theater, Working With Bob, With Bob Wilson. And Since Then I Find It A Very Attractive Form To Work In. It's Just An Extension Of My Work.

Traditions Are Imploding And Exploding Everywhere - Everything Is Coming Together, For Better Or Worse, And We Can No Longer Pretend Were All Living In Different Worlds Because Were On Different Continents.