If You [c]annot Find Your

The Kind Of Theater That I Do Is Sort Of ‘narrative Realism,’ Which I Think In The Broadest Sense Is Legitimate To Say Is Mainstream. I Mean, In A Certain Sense, Suzan-lori's Plays Have Had Mainstream Levels Of Success. But Suzan-lori Is In Some Ways Not A Narrative Realist.

If You're A Playwright, Unless You're Really Lacking In Get-up-and-go, You Can Always Get Your Play Up Somewhere. You Can't Necessarily Make A Living Doing It, But Theater Is About Meeting An Audience. Plays Are Not Easier To Write Necessarily, They Take Less Time To Write. If You Get Them Up, It's A Much More Rough-and-tumble Kind Of Existence. I Think It's, From My Perspective, Easier Than Novel Writing.

Theater Really Gets Damaged When There Is A Paucity Of Good Criticism Around.

I Go Into Any Movie That's Historical Fiction Thinking, 'ok, I'm Here To Watch A Work Of Art, Something Delivering A Series Of Opinions, And If It's A Good Work Of Art, These Opinions Become So Deeply Embedded In Complexity And Richness That I Won't Even Be Bothered By The Opinions. I'll Make My Own Mind Up.'

You Have To Have Hope. It's Irresponsible To Give False Hope, Which I Think A Lot Of Playwrights Are Guilty Of. But I Also Think It's Irresponsible To Simply Be A Nihilist, Which Quite A Lot Of Playwrights, Especially Playwrights Younger Than Me, Have Become Guilty Of.