If You Are Creative, Sometimes

For Fleur De Chine, I Imagined The Romantic And Mysterious Women From Asia's Cinematic Past-from The '30s Femme Fatale In A Cheongsam And Dark Lipstick, To The'60s Hong Kong Heroine Of In The Mood For Love. I Wanted To Capture That Fascinating, Exquisite And Slightly Scandalous Femininity.

I Live, I Shop Almost Exclusively On The Internet. I've Bought Cars On The Internet. I Watch Television, I Do Everything On It. I Even Watch My Son Online.

Real Fashion Change Comes From Real Changes In Real Life. Everything Else Is Just Decoration.

The Thing About Eyewear Is That It Is So Potent, There Are Very Few Accessories That, If You Were Not Wearing Anything, If You Put On They Would Date You To A Whole Era. You Could Look The Thirties, The Fifties, And The Nineties Just By Your Eyewear. It's Like A Pair Of Shoes Because It Is Sculptural. It Exists Without A Face. It Tells A Lot About Where You Are Architecturally Or Aesthetically In A Particular Period In Time.

I Was The Sensitive, Shy Kid That Was Teased A Lot. I Was Very Definitely Bullied. I Mean, From An Early Age, I Dressed More Like An Adult, You Know, Jackets And Very Slim Trousers And A Raincoat. And I - Even When I Was 7, 8, 9-years-old, Carried An Attache Case To School Because I Just Hated The Sloppiness Of A Book Bag.