I'd Like To Show How

For The Eternity That Lux Lisbon Looked At Him, Trip Fontaine Looked Back, And The Love He Felt At That Moment, Truer Than All Subsequent Loves Because It Never Had To Survive Real Life, Still Plagued Him, Even Now In The Desert, With His Looks And Health Wasted. 'you Never Know What'll Set The Memory Off,' He Told Us. 'a Baby's Face. A Bell On A Cat's Collar. Anything.' They Didn't Exchange A Single Word. But In The Weeks That Followed, Trip Spent His Days Wandering The Halls, Hoping For Lux To Appear, The Most Naked Person With Clothes On He Had Ever Seen.

I Have A Very Beautiful Room In My House... It's Glass On Three Sides, And You'd Think That's The Perfect Place To Write. Somehow In That Nice Room I Feel Too Exposed, And... I'm Too Distracted By Things Going On, So I End Up Writing In A Not-very-nice Office Bedroom.

Reading A Novel After Reading Semiotic Theory Was Like Jogging Empty-handed After Jogging With Hand Weights. What Exquisite Guilt She Felt, Wickedly Enjoying Narrative! Madeleine Felt Safe With A Nineteenth Century Novel. There Were Going To Be People In It. Something Was Going To Happen To Them In A Place Resembling The World. Then Too There Were Lots Of Weddings In Wharton And Austen. There Were All Kinds Of Irresistible Gloomy Men.

We Knew That Cecilia Had Killed Herself Because She Was A Misfit, Because The Beyond Called To Her, And We Knew That Her Sisters, Once Abandoned, Felt Her Calling From That Place, Too.

Sourmelina's Secret (as Aunt Zo Put It): 'lina Was One Of Those Women They Named The Island After.